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A House of Last Witnesses

by Erich Barganier

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Shame Loops 05:47
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about

Erich continues to blur genres by entering the decade with his debut solo album, A House of Last Witnesses. The new release delves into the realms of dark ambient, digital noise, computer-driven classical, and generatively-created soundscapes that draw influence from early electronic music pioneers and the textural worlds of Midori Takada. Tracks like “Crossroads in a Fever Dream” or “Shame Loops” explore the possibilities of sonic worlds created through the coding language Supercollider, while “Speaking in Tongues” relies on a MIDI-driven Disklavier to perform a piano work incapable for human performance. Cisum Percussion’s Washington Squared duo round out the album, with a digitally-augmented version of Barganier’s composition, “Bastards of Empty Space.” Whether you are craving digitally-driven experimentation, cutting edge contemporary classical music, or hallucinatory ambiance, you will find something to love on this debut album.

B&W010

credits

released March 12, 2020

© & ℗ 2020 Erich Barganier
All songs composed by Erich Barganier
Laptop, Disklavier performed by Erich Barganier
Bastards of Empty Space Performed by Washington Squared Percussion
Recording and mixing of Bastards of Empty Space, Speaking in Tongues by Ying-Ying Zhang
Mixing of Shame Loops, Всех Их Помню, Crossroads in a Fever Dream and Reflecting Pool by Erich Barganier
Mastering by Toshihisa Tsuruoka
Cover Art by Erich Barganier
Belts & Whistles, B&W010

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Belts & Whistles Philadelphia, Pennsylvania

Record label collective from New York and Philadelphia releasing diverse noise, art-pop, improvised and notated music since 2014

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